Bordo Crossings

Popular Culture. Politics. Conversation.

Cultural historian Susan Bordo’s books and articles are responsible for many firsts. As a young feminist philosopher in a male-dominated discipline, she was the first to examine 17th century philosophy and culture from the perspective of gender. In Unbearable Weight, she broke with the medical establishment and prevailing psychological explanations to draw attention to the profound role of cultural images in the spread of eating problems across race and class. Her next book, The Male Body: A New Look at Men in Public and in Private, brought a woman’s perspective to the then-emerging field of masculinity studies, and was hailed by many men as one of the most sympathetic feminist accounts of their insecurities. Twilight Zones, a collection of essays based on her public talks in the 1980’s and 90’s, presciently diagnoses the cultural and political assault on fact and evidence that reached a zenith in the second decade of the 21th century. The Creation of Anne Boleyn: A New Look at England’s Most Notorious Queen was the first to challenge the stereotypes and ill-founded narratives that dominated literary and historical accounts of Boleyn’s life. Bordo’s most recent books, The Destruction of Hillary Clinton and its follow-up collection of essays Imagine Bernie Sanders as a Woman remain the only accounts of 2016 and its aftermath that examine all the elements of the perfect storm—including the role of the mainstream media—that led to the elevation and reign of Donald Trump and Trumpism.

A college and university professor for many decades, Susan recently retired from teaching—but not from writing. Susan publishes frequently on Medium, on CNN.com, and soon to be published is TV, a volume in Bloomsbury’s “Object Lessons” series. She lives in Lexington, Kentucky with her husband Edward, daughter Cassie, three dogs, a cat, and a cockatiel.

Susan Bordo Elected to American Academy of Arts and Sciences
Susan Bordo Elected to American Academy of Arts and Sciences

Susan Bordo Elected to American Academy of Arts and Sciences

Susan Bordo, professor emerita in the Department of Gender and Women’s Studies and Otis A. Singletary Chair in the Humanities in the College of Arts and Sciences at the University of Kentucky, has been elected as a member of the American Academy of Arts and Sciences — one of the nation’s oldest and most prestigious honorary societies.

Founded in 1780, the Academy honors excellence and convenes leaders to examine new ideas, address issues of importance to the nation and the world, as well as advance the public good.

“It’s wonderful to have this kind of recognition, and alongside such distinguished company. I think of it as more than just a personal honor, but also an acknowledgment of the value of public, interdisciplinary scholarship. Crossing intellectual borders is what my work has always been about,” Bordo said. “I’ve never been limited by traditional divisions, and one of my central missions as an author has been to ‘translate’ academic research into writing that is accessible to a more general readership. When I was teaching, I encouraged my students to think, write and teach that way too. It’s been a joy to see them succeeding so brilliantly. And now this — I’m truly thrilled.”

How Tony Soprano Inaugurated a New (and Raw) Version of Masculinity
How Tony Soprano Inaugurated a New (and Raw) Version of Masculinity

How Tony Soprano Inaugurated a New (and Raw) Version of Masculinity

The fact that Tony Soprano, in 1999, inaugurated a new version of masculinity—one that boldly refuses to soften and make more palatable the violence that often goes along with the sexual (or any other) appeal of the raw—isn’t apparent until the fifth episode of the first season of the show, called “College.” The writer David Chase knew it would be transgressive.

Extract: TV by Susan Bordo
Extract: TV by Susan Bordo

Extract: TV by Susan Bordo

"Television and I grew up together." As a baby boomer born in 1947, Susan Bordo is roughly the same age as our beloved gogglebox, which began life as a broad box with a ten-inch screen, chunky and clunky and encased in wood. With the rapid changes in technology in the years since, "television", as Bordo points out, has become estranged from its material status.